Fallen Leaves by De Dallad Perfumes Olfactive Galleries bottle
De Dallad Perfumes Olfactive Galleries

Fallen Leaves

5.0/5 · 12 votes Unisex 2022
Main accords
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Fragrance notes

Top notes
Heart notes
Base notes

Character

Longevity4.2/5
Sillage4.0/5
Day91
Night91
Fall100
Spring82
Summer82
Winter55
Our take

Fallen Leaves opens with a slightly rough, medicinal edge that can feel sharp and almost rubbing-alcohol-like in the first few minutes of wearing. This initial bite comes from the juniper and elemi colliding with the grapefruit, creating a bracing, somewhat clinical impression rather than a smooth, welcoming freshness. It is a noticeable limitation that may put off those expecting a soft, gentle introduction. However, this prickly start prevents the fragrance from becoming a simple, pretty scent, pushing it into more challenging territory. As the aroma develops, the basil adds a green, slightly savory quality that bridges the gap between the acidic top notes and the floral heart. The jasmine and rose here are not dewy or romantic. Instead, they feel dry and slightly dusty, blending with the incense to create an atmospheric, slightly smoky floralcy that avoids traditional sweetness.

The mineral accord is exceptionally distinct in the drydown, evoking the scent of damp soil and stone rather than clean, sparkling air. This earthiness grounds the fragrance, allowing the patchouli and vetiver to emerge with a deep, root-like density. The cedar provides a dry, structural backbone, but the white musk remains muted, barely softening the overall composition. It stays firmly in the realm of the austere and the damp, neglecting any conventional warmth. This is a study in texture and shadow, prioritizing the damp, cold scent of the forest floor over the bright beauty of the trees. It is unapologetically somber and introspective, focusing entirely on the patchouli and mineral notes to create a scent that feels deeply buried in the earth.

Smells similar

Built from the same materials — ranked by how unusual the shared notes are, not by how many.

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