Trust Me by Giorgio Monti bottle
Giorgio Monti

Trust Me

4.5/5 · 2 votes Unisex
Main accords
Where to buy
Love Trust Me?
Save it to your favourites and discover similar scents in the Nardinum app.
Get the app

Fragrance notes

Top notes
Heart notes
Base notes

Character

Longevity2.8/5
Sillage2.9/5
Day100
Night0
Spring100
Fall100
Summer0
Winter0
Our take

You step into a sunlit courtyard where the air is crisp and the stone walls still hold the morning cool. Someone nearby is holding a cup of dark coffee that has been sweetened with crushed hazelnut. The steam rises and mixes with the sharp, clean snap of bergamot that hangs in the air. It is a moment of quiet focus. The scent does not shout across the space. It sits close to the person who wears it, wrapping them in a blend that feels both herbal and deeply roasted. The myrtle adds a green, slightly medicinal edge to the rich drink, preventing the gourmand elements from becoming a simple sugar rush.

The atmosphere here is textured. You can sense the presence of old cedar benches and the faint, worn scent of leather jackets draped over them. This is not a synthetic or overly polished environment. The white musk settles into the scene like dust motes dancing in a beam of light, giving the air a powdery, soft finish. It feels like a hidden corner of a city where nature pushes through the pavement. The aroma is aromatic and spicy, creating a bubble of warmth that contrasts with the fresh breeze moving through the alleyway.

This is a fragrance that feels like a second skin in transitional weather. The animalic accord is subtle, adding a living pulse to the woody foundation. It suits a person who enjoys the ritual of a morning espresso but wants to carry that grounded energy with them as the day progresses. The leather note anchors the entire composition, leaving you with a impression of something sturdy and classic. It is a study in contrasts that resolves into a musky, herbal embrace.

Smells similar

Built from the same materials — ranked by how unusual the shared notes are, not by how many.

More from Giorgio Monti

All Giorgio Monti →