Overthinking
Fragrance notes
Character
Overthinking opens with a sharp hurdle for anyone expecting a smooth, easy wear. The black walnut and vetiver hit hard and bitter, and the tonka bean does not soften them the way you might hope. This is a dry, slightly abrasive start that can feel more like a chore than a pleasure. It demands patience from the very first spray, and not everyone is willing to give it that time.
Once the top notes settle, the heart reveals a classic powdery duo of Tuscan iris and violet. This floral core is elegant and old-fashioned, but it sits awkwardly on top of the rugged opening. The transition feels forced rather than fluid, creating a gap between the rough wood and the refined flower that the composition never quite bridges.
The base brings black leather, oak, and musk to ground the scent. It becomes woody, earthy, and undeniably masculine in its drydown, leaning into amber and sweet vanilla accents. It smells like a study filled with heavy furniture and worn books. The mood is serious and contemplative, offering a distinct personality that stands apart from cheerful, mass-appealing designer releases.
The fundamental issue remains the clash between the bitter start and the powdery heart. It is a fragrance that feels undecided about its own identity, torn between being a rough woody leather and a soft floral iris. If you prefer a seamless journey from spray to finish, this disjointed path will likely frustrate you.
Smells similar
Built from the same materials — ranked by how unusual the shared notes are, not by how many.
