Sha by Alfred Sung bottle
Alfred Sung

Sha

4.2/5 · 81 votes Feminine 2003
Main accords
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Fragrance notes

Notes

Character

Longevity2.8/5
Sillage2.9/5
Day100
Night9
Spring81
Summer69
Fall25
Winter13
Our take

Sha does not push hard. It stays near the body and does not announce itself across a room, which means it will not carry through a long day without a second application. That restraint is part of how it works, because the blend is built from lilac, water lily, lily-of-the-valley, frangipani, heliotrope, jasmine, ylang-ylang, hibiscus, ivy, cedar and musk, and the effect is a floral green profile that feels composed rather than loud. The musk and the cedar sit among the petals instead of trailing behind them, so the scent reads as fresh and powdery at once without leaning into heavy sweetness.

The green accord comes from ivy and the lighter petals, and it keeps the white floral notes from turning thick. Lilac and water lily give a cool impression that suits bright mornings and warm afternoons outdoors, when the air feels open and the light is clear. Frangipani and heliotrope add a soft roundness, while jasmine and ylang-ylang supply the white floral core that defines the fragrance. Hibiscus brings a gentle color to the mix, and the cedar grounds the flowers just enough to keep the whole thing from floating away entirely.

Cedar and musk do not stretch the wear, so the scent stays close and companionable rather than expansive. It suits someone who wants a fresh floral that does not compete with the people around her. The powdery finish lingers on the skin in a quiet way, and the green threads keep it from feeling dated. Sha is a daytime choice for warm weather, steady in its presence and modest in its reach. It closes on lilac and musk.

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