Oriental
Fragrance notes
Character
Incense and dried fruits open the composition with a resinous, sticky weight. Anise adds a cool, herbal lift that cuts through the heavy opening. Japanese pink lotus and lily-of-the-valley bring a clean, watery floral layer to the heart. Oakmoss grounds the flowers with a damp, earthy green texture. The base is a dense mix of oud and patchouli. Haitian vetiver provides a dry, grassy contrast to the sweet vanilla. The amber and balsamic accords wrap the woods in a warm, golden haze. Smoky facets rise from the oud and incense combination. The white floral touch stays light against the dark, woody backdrop.
A heavy wool coat absorbs the scent as the air turns crisp. Streetlights reflect off wet pavement while warm windows glow in the distance. The spicy and sweet notes feel at home in a dimly lit room. Dark wood furniture and flickering candlelight match the balsamic depth. The mood is quiet and introspective rather than bright and energetic. It suits a slow evening where the world outside feels far away. The vanilla and dried fruits offer a comforting sweetness that never turns cloying. Oakmoss and vetiver keep the richness from becoming too soft.
Composed by Maximiliano Cifuentes and Chris Maurice, the blend feels intentional and layered. The oud is prominent but not aggressive, sitting comfortably beside the florals. It is a fragrance for someone who enjoys resinous woods and earthy greens. The vanilla adds a gourmand hint without making the scent a dessert. It smells like standing in a stone courtyard where smoke from a fire drifts through ancient trees.
Smells similar
Built from the same materials — ranked by how unusual the shared notes are, not by how many.
