Liz Lolíssima by Atelier Segall & Barutti bottle
Atelier Segall & Barutti

Liz Lolíssima

3.3/5 · 3 votes Feminine 2016
Main accords
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Fragrance notes

Top notes
Heart notes
Base notes

Character

Longevity4.0/5
Sillage2.5/5
Day100
Night100
Spring100
Summer100
Fall100
Winter100
Our take

Early evening in a warm kitchen, steam rising from a pot of mulled wine. Someone has just shattered a pomegranate against the counter, its dark juice bleeding into the wood grain. The air is thick with the scent of star anise and crushed ivy leaves, a sharp, green bite that cuts through the sweetness of the fruit. You are wearing Liz Lolíssima, and the opening feels like that moment: bright, slightly medicinal, and undeniably alive. The violet in the top notes isn’t powdery here; it’s fresh, like the crushed petals of a violet stem, adding a cool, watery contrast to the heat of the spice. It smells like a secret shared over a cutting board, something intimate and slightly dangerous, before the fruit is even peeled.

As the kitchen cools and the wine simmers down, the heart of the fragrance begins to unfold. The licorice note is dark and sticky, like a piece of black candy left in a pocket, melting slowly against the skin. It mixes with the cherry, not the bright red fruit of a pie, but the deep, almost black flesh of a Morello cherry, tart and staining. The gardenia and amaryllis are present, but they are not the loud, creamy flowers of a summer garden; they are quiet, their petals bruised and softened by the iris. There is a sense of something being crushed, a deliberate pressing of stems and leaves to release their bitter oils. The air smells of sugar and earth, a combination that feels both familiar and strangely unsettling, like a childhood memory you can’t quite place.

The base notes arrive like a heavy blanket, settling into the fabric of your sweater. The praline is golden and warm, but it’s cut by the dry, green scratch of vetiver and the damp, dark soil of patchouli. This isn’t a clean, soapy musk; it’s a skin scent, musky in the way that warm skin smells after a long day. The vanilla and tonka bean are present, but they don’t dominate; they are the ghosts of sweetness, lingering in the background like a half-remembered promise. The overall effect is powdery and woody, a soft spice that clings to the collar of your coat. It smells like the end of a party, when the guests have gone and you are left alone with the empty glasses and the fading heat of the evening, the anise still humming quietly against the skin, a soft, spicy murmur that refuses to be entirely silenced.

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