Le Premier Parfum Eau de Toilette (Morsure d'Amour) by Lolita Lempicka bottle
Lolita Lempicka

Le Premier Parfum Eau de Toilette (Morsure d'Amour)

4.0/5 · 621 votes Feminine 2011
Main accords
Where to buy
Love Le Premier Parfum Eau de Toilette (Morsure d'Amour)?
Save it to your favourites and discover similar scents in the Nardinum app.
Get the app

Fragrance notes

Top notes
Heart notes
Base notes

Character

Longevity3.0/5
Sillage2.8/5
Day100
Night33
Spring76
Fall67
Summer49
Winter38
Our take

Le Premier Parfum opens with a glossy, candied cherry that’s been dipped in almond syrup and spritzed with Amalfi lemon, a bright tang that stops things from collapsing into pure dessert. That initial burst quickly softens as iris and licorice rise, the licorice lending a cool, anise twist that keeps the sweetness from feeling childish. Jasmine threads through the heart like a silk ribbon, powdery and slightly indolic, before the base settles into violet leaf’s green whisper and a faint incense smudge. The musk here is clean, almost aquatic, which is an odd but charming contrast to all that nutty, fruity warmth.

This is a perfume that reads as a 2011 gourmand dream, unapologetically sweet and soft-spicy, leaning synthetic in the way that makes it feel like a glittery lip gloss you’d keep in a hello kitty compact. Its sillage is a polite cloud, a hush rather than a roar, and longevity hovers around three hours before fading into a skin-sweet musk. That’s its honest weakness: it begs for reapplication, especially if you want the cherry-iris bite to linger.

Who is this for? It suits someone who delights in whimsy, who wears lavender lace and keeps a vial of violet syrup in her bag. Skip it if you demand beast mode projection or a dry down that surprises you. Wear it on a crisp spring afternoon, a lazy summer picnic, or a first date where you want to smell like a love bite that’s already half healed. It won’t command the room, but it might make someone lean closer.

Smells similar

Built from the same materials — ranked by how unusual the shared notes are, not by how many.

More from Lolita Lempicka

All Lolita Lempicka →