Gold Immortals by Ex Nihilo bottle
Ex Nihilo

Gold Immortals

4.0/5 · 664 votes Feminine 2020
Main accords
Where to buy
Love Gold Immortals?
Save it to your favourites and discover similar scents in the Nardinum app.
Get the app

Fragrance notes

Top notes
Heart notes
Lysylang
Base notes

Character

Longevity3.9/5
Sillage3.4/5
Day80
Night83
Fall100
Winter93
Spring80
Summer57
Our take

Gold Immortals opens with a crisp pear and bergamot that feel like sunlight striking polished marble, but the sharpness fades quickly into a dense floral heart where peony fights for space with lysylang, a synthetic hybrid that reads as lily and ylang tumbled together. This middle phase is the fragrance's strongest moment, sweet and almost waxy with a yellow floral softness, but it never quite decides if it wants to be a fresh spring bouquet or a powdery, amber-laced oriental. On the dry down, musk and tonka blanket everything in a warm, fuzzy haze, while amber adds a low heat that keeps the sweetness from turning cloying. The overall character is like a cashmere scarf left in a sunlit conservatory among overripe pears and wilting peonies, soft and pretty but slightly synthetic around the edges. It sits squarely in the niche-light territory, more polished than artisanal, and the numbers tell the truth: longevity around 4 hours and sillage that stays close, which feels appropriate for its powdery, skin-hugging nature. This suits someone who wants a gentle, all-seasons floral that leans sweet without being juvenile, ideal for office days or a quiet dinner where you don't want to announce your arrival. Skip it if you crave bold projection, sharp green notes, or any real complexity; Gold Immortals is a comfortable loop of the same pleasant chord, never surprising, never offending. It works best in fall and winter when its amber-tonka warmth can actually bloom, though 80% of voters love it in spring too. A reliable, pretty crowd pleaser, but one that whispers rather than speaks.

Smells similar

Built from the same materials — ranked by how unusual the shared notes are, not by how many.

More from Ex Nihilo

All Ex Nihilo →