Jolly Rabbit by MCM - Mode Creation Munich bottle
MCM - Mode Creation Munich

Jolly Rabbit

3.5/5 · 37 votes Feminine 2025
Main accords
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Fragrance notes

Top notes
Heart notes
Base notes

Character

Longevity2.9/5
Sillage2.3/5
Day100
Night44
Summer100
Spring75
Fall31
Winter31
Our take

Jolly Rabbit opens with orange, lemon and red currant that give a bright citrus and fruity lift. The red currant adds a tart edge to the orange and lemon, keeping the start from feeling flat. Neroli, ginger and jasmine follow, with the ginger adding a quiet heat to the white floral heart while the jasmine rounds the edges. The citrus stays close as the heart develops, so the fragrance remains near the skin rather than expanding outward. Ambroxan, vetiver and guaiac wood form a woody amber base that supports the brighter notes without pushing the scent forward. The vetiver and guaiac wood keep the drydown grounded, and the ambroxan adds a clean warmth that lingers for a reasonable span without extending far beyond the body. It suits a daytime setting where a light presence is welcome, such as a bright room filled with morning light and the quiet activity of a normal day. The ginger and neroli keep it alert, and the base notes hold the shape through the hours without demanding attention.

The overall feel is fresh, aromatic and lightly spicy, with the citrus and white floral accords leading and the woody amber underneath. It is composed by Alexandra Monet for MCM. The red currant and lemon give a crisp first impression, the ginger keeps the floral heart from turning soft, and the ambroxan, vetiver and guaiac wood settle into a dry, clean finish that stays near the skin. It works for someone who wants a daytime fragrance that stays close and lasts through a normal span without growing heavy. The fruit and flowers stay present while the base holds them in place, and the ginger adds a small spark that keeps the mood awake. It is a clear, daytime companion that moves through a sunlit space with a basket of citrus and a handful of currants.

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