Florence by Roberto Cavalli bottle
Roberto Cavalli

Florence

3.7/5 · 1,067 votes Feminine 2017
Main accords
Where to buy
Love Florence?
Save it to your favourites and discover similar scents in the Nardinum app.
Get the app

Fragrance notes

Top notes
Heart notes
Hibiscus Seed
Base notes

Character

Longevity3.4/5
Sillage3.2/5
Day64
Night89
Fall100
Winter96
Spring55
Summer25
Our take

Florence opens with a sharp, jammy black currant that snags the attention before a mandarin orange peel brightness cuts through, zesty and slightly bitter. The heart is where the real story lives: a dense swirl of orange blossom and grapefruit blossom, both creamy and pollen-dusted, with hibiscus seed adding a faint, lipstick-waxy texture. That transition feels like stepping from a sunlit piazza into a shaded Renaissance courtyard, the air thick with petals and stone. The drydown settles into a patchouli and amber base that is warm, musky, and just a little animalic, like the scent of a wool coat worn after a long evening.

This is a chypre floral that plants one foot in old-school glamour and the other in contemporary gloss. It feels more synthetic than natural, a deliberate polished construction rather than a garden distilled. The longevity and sillage are moderate, about a 3.43 and 3.20 out of five respectively, so it stays close to the skin after a few hours, a quiet companion rather than a room-filler. That restraint can feel like a weakness if you crave projection, but it also makes it wearable for long workdays or intimate dinners.

Who should wear it? Someone who wants a sophisticated, slightly fruity white floral that doesn’t scream for attention. Skip it if you prefer aldehydic sparkle or sheer citrus scents, because the patchouli and musk here are persistent and weighty. Wear it in cooler weather, fall through late winter, when the warmth can unfurl properly. It feels like a cashmere blanket tossed over a silk slip dress, confident but never loud.

Smells similar

Built from the same materials — ranked by how unusual the shared notes are, not by how many.

More from Roberto Cavalli

All Roberto Cavalli →