Un Jardin A Paris by Korloff Paris bottle
Korloff Paris

Un Jardin A Paris

4.0/5 · 109 votes Feminine 2018
Main accords
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Fragrance notes

Top notes
Heart notes
Base notes

Character

Longevity3.6/5
Sillage3.6/5
Day97
Night51
Spring100
Fall86
Summer70
Winter38
Our take

Un Jardin A Paris opens with a tart rhubarb snap that cuts through the syrupy sweetness of ylang-ylang and orange blossom like a blade through butter. The green, almost sour edge keeps the floral trio from tipping into cloying territory, which is crucial because the heart unleashes a dense white floral triad of tuberose, gardenia, and jasmine that could easily overwhelm a less careful composition. This isn’t a shy perfume. It’s an armful of hothouse blooms arranged with a touch of animalic musk that hums underneath, suggesting skin rather than a crystal vase.

The drydown pulls a sharp left turn: incense and patchouli rise to meet the musk, turning the garden into a chapel. That contrast is the whole point. One moment you’re standing in a greenhouse after a spring rain, the next you’re pressing your nose against an old stone wall where someone left a silk scarf. It feels slightly synthetic in the opening, but the base settles into a warm, almost resinous skin scent that justifies the chypre floral label. It’s not mainstream sweet, nor nichely weird, but something in between that asks for a second sniff.

Where the fragrance stumbles is in its numbers. Longevity sits at a modest 3.64, sillage at 3.57, meaning you get about four hours before it’s a personal secret. For the price point, that’s a genuine weakness. This is a spring day scent through and through, perfect for brunch in April or a late afternoon in the park when you want to feel polished but not loud. It suits someone who loves white florals but wants a green, almost peppery interruption, and anyone who despises tuberose should skip it entirely. If you’re after a head-turner that lasts through dinner, this garden closes its gates too soon.

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We matched these by the notes each one lists, giving more weight to the unusual ones they share. Sharing materials does not make one a copy of the other.

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